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It's the most wonderful
time of the year. A day to celebrate monsters and darkness and
the evil that men do. An opportunity to carve pumpkins until your hands are twisted
with cramp, to disguise the kids and set them loose on your
neighbours, and to eat sweets until your stomach begs for
mercy.
Best of all is the opportunity to sit back and enjoy a few festive movies.
So turn out the lights, wait until the
tension builds to fever pitch, and then scare the living hell
out of your partner with a well timed thigh grab or simple
"boo!" We're talking horror here, and Halloween wouldn't be
the same without it.
To guide you on your wicked way,
Blockbuster's Marshall Julius presents thirteen of the most
chilling fright flicks ever made. Read on at your own
risk...

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Dare you see Saw?
Fiendishly inventive and gory as hell,
Saw is one of the most alarming films you will
ever see. There are times in this movie when
you'll want to laugh, scream and cry all at
once. It's a mental and emotional rollercoaster
ride full of blood and surprises, a bonafide
horror classic ideal for anyone with the guts to
endure it.
Two men wake up chained to pipes at
opposite ends of a dirty bathroom. A dead body
lies between them. But who are they? Where are
they? And what are they doing there?
Cary Elwes
and
Danny Glover
lead a game cast but it's the
movie that's the star, an incredible achievement
by first-time director James Wan
that will mess
with your mind and get your heartbeat racing
like Steve McQueen.
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Everyone Will Suffer.
Films don't come any
creepier than The Ring, a superior American
treatment of the celebrated Japanese Ringu,
better characterised than the original, with a
stronger plot and many more scares.
Pirates of
the Caribbean director Gore Verbinski keeps the
atmosphere dark and full of dread as the world's
scariest videotape makes its way into the world.
Watch it and you get a call. A scratchy voice
says you'll be dead in seven days. A week later,
you're frightened to. But is there any way to
avoid the curse? Investigative journalist
Naomi Watts is determined to find out...
If the phone
rings while you're watching this I guarantee
you'll jump out of your seat. In fact, if you
really want to give your mates a scare, why not
use your mobile to make the phone ring the
instant after someone in the movie watches the
video?
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Before man walked the earth... it slept for centuries.
It is evil. It is real. It is awakening.
Less isn't always
more. Sometimes more is more. After all, why
settle for demons when you can have zombies too?
And why stop there when flesh-eating bugs and
psychotic down-and-outs are also available. As
for creatures from alternate dimensions, don't
get us started.
A motley collection of science,
religious and philosophy types join forces to
investigate Satan's Second Coming. Surrounded by
all manner of beasties in a shadowy old church,
they are unnervingly advised to "Pray for
death".
A lesser-known but endlessly
entertaining horror favourite from master of the
art John Carpenter, this is a tense and bloody
shocker which will make you scream loudly, laugh
nervously and check for white hairs when it's
finished.
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Be afraid. Be very afraid.
Jeff Goldblum bugs the
hell out of Geena Davis in this thoroughly nasty
but compelling tragedy, the horrifying tale of
an eccentric scientist who turns, one cell at a
time, into a giant, hairy, acid-spewing fly.
Stare with disbelief at the botched baboon
teleportation. Struggle to keep your lunch down
as our hero peels off his fingernails, then his
ears, then the rest...
Director hell out of David Cronenberg,
a man obsessed with viscera, avoids the camp of
the '50s original by first making us care for
Jeff and Geena before dragging them through
mutant hell all the way to a climax that will
leave you speechless, shaking and a little bit
queasy.
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If you love being scared, it'll be the night of your life.
Vampire movies are rarely
watchable and even fewer are genuinely scary.
The silent classic Nosferatu set a standard, it
turns out, that few films have been able to
reach. This is one of the good ones, though,
maybe the best. It's the kind of movie that
makes you want to shout "run away" and "look
behind you" at the screen.
A late night devotee
of cheesy horror flicks is convinced his
neighbour's a bloodsucker. Armed with the
knowledge of ten thousand bad movies, our hero
enlists the questionable aid of a faded big
screen vampire killer, pursuing the undead all
the way to the house next door.
More than a
decade before the Scream trilogy won rave
reviews for its self aware, movie literate take
on the horror genre, Fright Night was laughing
at itself while simultaneously scaring our pants
off.
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If Nancy doesn't wake up screaming, she won't wake up at all.
The bastard son of a
hundred maniacs, Freddy Krueger was indisputably
the freakiest anti-hero of 1980s cinema, a child
molester burnt to a crisp by angry parents and
embraced by a generation of film fans as the
killer of their dreams.
Scarred from head-to-toe
with blades for fingers and an inexhaustible
supply of cheesy one-liners, he returned from
the grave to slaughter kids in their nightmares
and inspire a merchandising bonanza that
included children's dolls, bladed gloves and
Halloween masks.
Created by director Wes Craven,
who named the character after a school bully,
Freddy is seen to best effect in the terrifying
first, hilarious third and mind-messing final
chapter of his gory saga.
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The ultimate experience in grueling terror.
Blood-soaked, off his rocker and ready
to rumble, accidental hero Ash is mad at Hell
and isn't going to take it any more. First he's
attacked by demons in a cabin. Then witches,
walking skeletons and even his own left hand.
His friends possessed, he has no choice but to
chop them up. Then he's thrown back in time to
battle the medieval dead, yet still he fights
on, a shotgun on his back, a chainsaw on his
stump and a joke on his lips.
Banned for years
due to the infamous sequence in which a girl is
sexually assaulted by a tree, the first movie
sets you up for the madness that follows. The
strangest, silliest and most enthusiastic horror
series of them all, courtesy of director Sam Raimi
and actor Bruce Campbell, The Evil Deads
will blow your
mind.
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From the director of Animal House - a different kind of animal.
From the grotty
splendour of the Northern Line to the porn
palaces of Piccadilly Circus, death stalks
London in the snarling, slobbering form of the
meanest movie werewolf of them all.
A slick mix
of gags and gore from director John Landis, who
wrote the movie when he was 19 and shot it a
decade later, American Werewolf kicks off with
lycanthropic terror on the foggy Yorkshire Moors
and builds to a bloody crescendo in the heart of
the West End.
Best of all is the ground-breaking
transformation sequence in which, instead of
falling behind a sofa and emerging covered in
fur, actor David Naughton turns slowly and
painfully into a wolf before our widening
eyes.
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They were warned. They are doomed. And on Friday the 13th, nothing will save them.
A gleeful celebration of stalking and slashing
horny young teenagers, these blood-soaked
horrors served to showcase the talents of the
sickest make-up men in the movie business.
A remote summer destination with a grim history,
Camp Crystal Lake is where little Jason Vorhees
was left, unsupervised, to drown. The first film
sees Jason's mother out for revenge, chopping up
the fit and sexy. Her climactic decapitation
leads to the resurrection of the masked,
unstoppable, machete-wielding Jason in movies
two to ten.
Cheap, cheerful and featuring a
young Kevin Bacon being run through with a
spear, the first two movies, at least, are a
genuine scream.
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In space, no one can hear you scream.
When the time came to
shoot the now-famous chest-bursting sequence in
which a baby alien pops out of John Hurt's
troubled innards, director Ridley Scott
neglected to tell his cast exactly what was
going to happen. The look of genuine surprise
and horror on their faces mirrors those of
audiences worldwide who to this day remain
freaked out by this remarkably creepy sci fi
monster movie.
The crew of deep space cargo ship
Nostromo are picked off one at a time by a
ferocious alien creature, an unstoppable force
with acid for blood and no end of teeth. One of
the scariest and most ferocious monster movies
ever made, although the sight of
Sigourney Weaver
in her underpants does help to take the
edge off.
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When there's no more room in HELL, the dead will walk the EARTH!
Robbed of darkness, creepy music and
other staples of the horror genre, the dead are
forced to menace the living in the brightly lit,
saccharine setting of an abandoned shopping
mall. Turns out there's dread in the daytime,
too. In fact, dragged from the shadows, zombies
seem even more terrifying, as mindless and
relentless as telemarketers.
With mankind on the
verge of collapse due to the zombie plague, a
mismatched group of survivors take refuge in a
mall swarming with re-animated corpses.
The superior second installment of George Romero's
Living Dead series, and most memorable showcase
for the entrail-spewing brilliance of make-up
effects wizard Tom Savini, Dawn of the Dead is
the most realistic, and therefore most
horrifying zombie movie you will ever
see.
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The night HE came home.
Alfred Hitchcock is widely
regarded as the father of the modern Slasher
Flick, after unleashing a cross-dressing lunatic
on a showering Janet Leigh in his 1960 shocker
Psycho. Without director John Carpenter's
Halloween, however, the killing might have ended
there and then. Instead, as the remorselessly
evil Michael Myers hacks the unsuspecting
residents of Hadonfield, Illinois into bolognese
sauce, wearing, as it happens, a customised
William Shatner mask (from The Devil's Rain),
every director with a camera and a couple of
dollars resolved to freak out audiences in much
the same way for the next 25 years.
A creepy, edgy masterpiece, it launched seven sequels of
its own, as well as the career of Janet Leigh's
daughter, scream queen Jamie Lee Curtis.
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Good morning. You are one day closer to the end of the world. You have been warned.
A kid doesn't have much
of a chance in life when his mother's a jackal
and his father's the Devil. Unless he wants to
rule the earth, that is.
Set to the
spine-tingling strains of composer Jerry
Goldsmith's Oscar-winning choral soundtrack "Ave
Santani" - "Hail Satan" - The Omen kicks off a
trilogy devoted to the rise and fall of Damien
Thorn, born on the sixth hour of the sixth day
of the sixth month, a very bad man and no
mistake.
The first and most chilling chapter in
the saga sees Damien as a fat-faced little
scamp, wreaking mortal havoc without even
trying. A distinguished cast is steadily
extinguished as each character first learns of
Damien's true identity, only to be burnt, hung,
impaled or decapitated for their
troubles.
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